Autodidact: self-taught

Dec
26
2013

Misery

by V. L. Craven

Misery

Christmas was a special kind of hell for me as a child. I was expected to socialise for extended periods of time with lots of loud people who wanted to hug me and be in my personal space. As a young, raging introvert , severely lacking in the ability to express my feelings, this was not something I relished. So in 1990, when I saw the teaser poster for Misery:

Misery Teaser

I laughed and thought, ‘ Every Christmas there will be misery.’ Then I bought the poster.

The film is based on a Stephen King novel of the same name . It’s about a writer. I wanted to be a writer so that captured my interest straightaway. It had a woman named Kathy Bates in it. I hadn’t heard of her before, but I thought someone with a last name like Bates was perfect to play a psychopath.

Misery Is This What You're Looking For

I mean, right?

So Annie Wilkes (Bates) is a delightfully balanced woman whose favourite writer, Paul Sheldon (James Caan), is in a car crash and she nurses him back to health and isn’t at all obsessive or terrifying.

I mean, is that the face of a pure sociopath? I ask you.

I mean, is that the face of a pure sociopath? I ask you.

Yeah, no.

Actually, she finds him after the car crash because she was stalking him in the first place. Then, while she’s taking care of him–he has multiple broken bones in his legs and a broken arm so he’s not going anywhere–the final book in the Misery Chastain series is released. When she reads it and discovers he’s killed off her favourite character she’s rather…displeased. Considering that her mood swings wider than an articulated lorry the man was lucky to survive her initial reading. After forcing him to burn the novel he’s just finished (because it has too many swear words in it) she has him to write another book in the Misery series that she loves and that he absolutely despises.

So, there’s mental and physical torture. Just like my Christmases.  This film spoke to me on such a level, I can’t tell you.

Then there’s, you know, the scene.

Kathy Bates and her friend the sledgehammer.

And now, Ms Bates will demonstrate the key features of the latest in our line of sledgehammers.

Certain scenes stay with you forever. That’s one of them.

For those of you who haven’t seen the film–Bates does an interpretive dance with the sledgehammer and a four by four. It’s remarkably moving and entirely unforgettable. Bring a tear to your eye, it will.

From what I’ve heard about James Caan, there were probably more than a few people in Hollywood who would’ve liked to have swung that hammer themselves. You know, in interpretive dance.

There’s also a deleted scene where Annie kills a policeman by running over him repeatedly with a lawnmower, but it was cut, as Rob Reiner thought it would make people laugh. Apparently Bates was disappointed by the removal of that scene, and holy moly would I love to see it.

Anyway, this one wasn’t so much of a review as a One of My Fav Christmas Films and Here’s Why. But you should see it.

I know today is the day after Christmas– Boxing Day in Commonwealth countries (which has nothing to do with pugilism)–but if you’re sick to the back teeth of your relatives for one holiday season, then pop this one on and laugh and laugh and laugh.

And think of me when you do.

One Response to “Misery”

  1. American Horror Story: An Ode - The Autodidact in the Attic Says:

    […] of course, also introduced Kathy Bates, be still my dark heart , as a regular and Angela mofoin […]

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