Autodidact: self-taught

Jul
10
2014

Russian Ark

by V. L. Craven

Russian Ark

At the beginning of Russian Ark , you wake up, somehow transported to … someplace unfamiliar. You discover you can speak Russian, though you’ve never spoken it before. Before you, you see a group of boisterous people alighting from horse-drawn carriages. They’re in elaborate dress on their way to some sort of party. And they cannot see or hear you. Perhaps you’ve died.

Then you are joined by someone else, visible only to you and dressed in clothes from a different century. ‘The European’ guides you through the rooms of this grand palace, commenting on various pieces of art. The palace, though never named, is the Hermitage Museum  and the European is meant to be the Marquis de Custine , who was quite the critic of Russian culture.

Each room or section of the film depicts a different era of Russian history, though not in chronological order. Catherine the Great, Peter the Great, Nicholas II and his children all make appearances. It has the feel of a European dream-state novel–I often felt as though metaphors were sailing past my head, but then another piece of art would come into view and it wouldn’t matter.

The film itself is sumptuous. The art is beautiful, obviously, (there’s a wonderful 360 close up shot of The Three Graces by Canova) and the hundreds of costumes are breathtaking. Shot in a continuous 96 minute take and featuring over 2,000 actors and three orchestras, with an opera and an elaborate dance sequence it was no small technical feat, either. The documentary about the making of Russian Ark is called In One Breath (it’s available on the DVD, the first part of five is here  on You Tube) and it’s worth the watch to see how they did it.

The more you know about Russian history the more you’ll get out of the film (which I admittedly know very little) but it’s still gorgeous to look at and is probably the closest I’ll get to visiting the Hermitage. So I highly recommend it. 5/5.

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