Ichabod Crane, Respectfully Dedicated to Washington Irving by William J Wilgus (1819-53)
There’s a new show based on Washington Irving’s ‘The Legend of Sleepy Hollow’. I was going to give it a miss, but then I found out they shoot it where I live and it’s always fun to play spot-the-location. My introduction was a cartoon, which I’ll get to, but I wanted to compare some of the adaptions (cartoon, film and TV series) and realised I hadn’t read the story. So that came first. It’s available from Gutenberg for free.
Irving’s writing is incredibly atmospheric and he captures nature beautifully. The characters are two-dimensional, though, and not likeable–particularly the protagonist and his crush, Katrina van Tassel. Typical of a short story, there isn’t a great deal going on–the descriptions and atmosphere are the selling points. Oh, and prepare yourself for the casual racism. This was written in the early 1800s. It’s pretty minimal compared to other things I’ve read written during that time, but it’s still there. Be warned.
This was the only scene I remembered.
As mentioned, my introduction to the story was the Disney cartoon , made in 1949. Which, upon, re-viewing, was rather disappointing. My young mind had glossed over the romance, greed, and singing and paid sole attention to the spookier aspects like the headless horseman and chase through the woods. The singing, however, does happen in the story. In fact, the cartoon is holds very close to the source material. They leave out the racism, thankfully, and they cut down on the general spookiness, but overall it’s quite accurate.
What was odd was that I could have sworn there was a bit where Brom Bones and his friends had pulled the prank where they chased Crane, pretending to be the Horseman. Because I was expecting it in the Burton adaptation. I have a very clear memory of this happening. The way the brain works, wow.
‘I swear, I’d lose my head if it weren’t screwed on… DAMMIT’
Many years later (as in decades) Tim Burton remade the tale with a bunch of spectacular actors, including Christopher Walken as the Headless Horseman. This will probably always be the definitive version for me because it’s Burton, whose aesthetic pleases me greatly, and because of the aforementioned cast. He changed…nearly everything. Except he made two very minor characters mentioned in passing in the story into important characters in the film.
Burton’s version is visually dark–it’s Burton, what do you want?–though the story happens in Autumn in New England when everything would have been reds and golds and oranges. Ichabod was, indeed, a wimp, so that remained the same, but Katrina became a witch (something that would carry over into the TV series), rather than the vacuous flirt from the story and cartoon and there was blood and a real horseman. Something that’s left up in the air in the story and cartoon.
Eventually spring will come to Sleepy Hollow…that won’t be spooky…
So then Fox announced they were making a television show called Sleepy Hollow and I was sceptical. How could they take a short story and make it into a series? But after reading this review I decided to give it a shot and I’m glad I did.
The first two episodes were the set up and people getting to grips with their roles in the battle with the four Horsemen of the Apocalypse. The third episode felt like the first ‘real’ episode, if that makes sense. The one where they work out who a baddie is and take it down, Buffy-style. The entire show is very Buffy-like–dramatic and supernatural and occasionally laugh out loud funny. They’ve already renewed it for a second series, which I’m very glad to hear, particularly since our landlord’s daughter is now working on the show.
And I get to pretend I live in a city like Sunnydale, but I’m not one of the stupid people who gets killed on a regular basis. Seriously, that place must have had a ridiculously high death rate.