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Abby Ableman (Robin Weigert) is in a solid but boring relationship with Kate Ableman (Julie Fain Lawrence), with whom she has two children. After receiving a mild concussion–when her son hits her with a baseball–she begins to reevaluate her life and realises her life of domestic bliss may not be as blissful as she originally thought.
Kate is happy with their life and seemingly gives Abby permission to ‘go breathe’ and Abby does so in the form of hiring a lesbian prostitute. She meets this person through her business partner, Justin (Johnathan Tchaikovsky), whose ex-girlfriend runs an escort ring. Said prostitute says Abby could make her own money with women ‘who want an older experience.’
And she’s off and running. In a lying down and naked sort of way.
Some experiences are good, some are…not. And then one of her appointments is with a woman from her town (she’s been meeting people in Manhattan). The woman is straight and Abby has found her attractive for some time. Complications arise and clothes come off.
The Red Band trailer which is entirely NSFW:
There are some problems with this film. More than a few, yes. The trailer isn’t accurate. Well, yes, there’s quite a bit of sexy lady time, which is really well handled. That probably had something to do with Rose Troche’s involvement, who co-wrote and directed Go Fish and was a writer and director of three seasons of The L Word.
Weigert does an outstanding job, as do all of the actresses. Janel Moloney (who played Donna on The West Wing) is a secondary character and does a great job as pseudo-therapist, but that couple needed a real therapist. And Emily Kinney did what she could with what she was given in her role as The Girl (the runner of the prostitution ring). Apropos of nothing–she looked so much like Luna Lovegood it was distracting. Or as a friend said Luna LoveREALgood.
Tchaikovsky is particularly excellent as Justin, Abby’s business partner–they buy ‘shitholes’, fix them up and flip them.
The problems are with the script. While there are some excellent moments and laugh out loud lines (that are intentionally amusing) there are plot points that don’t hang together. It’s never clear how the titular concussion affects Ableman’s decision to become a prostitute–I was extrapolating earlier–which is something of an issue.
Then there’s the ending, which will depend on how the viewer feels about unresolved endings . It’s unclear where the plot is going and it certainly doesn’t go where the average cinema-goer will expect. In a way it’s realistic, which isn’t typical of American-made films. But nothing about Concussion is typical of American-made films, so that’s par for the course.
If you’re interested in dramas about the emotional lives of women that doesn’t treat females over forty like sexless eunuchs then this one is for you. But for god sake, don’t watch it with your parents. 4/5