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Paolo (Milo Ventimiglia) is instantly captivated by flame haired Djuna (Josephine de La Baume). She’s drawn to him, as well, but warns him off and hints that she has a bit of a bitey problem.
He asks if she’s trying to tell him she’s a vampire and of course he doesn’t believe her.
So she has him chain her to the bed and they begin to get sexy with it (apparently sexy time is what makes the fangs come out in this type of vampire).
She vamps out and he decides he’s okay with that and she turns him.
The rest of the film is partially about him learning how to be a vampire in the modern world–there’s a dinner party scene that’s hilarious–and partially about their relationship. The two lovers want to get away from it all and start afresh.
Another big subplot is Djuna’s horrible sister, Mimi (Roxane Mesquida), arriving and acting like a rockstar. And I don’t mean staging free concerts to help the less fortunate.
Mimi is supposed to be shipped off to rehab in the American southwest, but she wants to stay in Connecticut. (I can’t say I blame her–dry heat sounds terrible for a vampire.) So she brings an offering to the lady of the house Xenia (Anna Mouglalis) in the form of a virgin.
She also brings an offering of her lady parts to Paolo because she’s one of those women who likes making trouble.
What goes around comes around though, you know.
Kiss of the Damned could be a little slow, but I enjoyed it and I’m not the biggest vampire film buff. So take that as you will.
I appreciated how non-exploitative it was–this could have been due to the writer/director (Xan Cassavetes) being a woman.
There was less gore than I was expecting, but the special effects that were there weren’t up to what today’s audiences are accustomed–I wondered if it was an homage to 70s horror films.
That said: Why are all these Europeans in the Connecticut countryside? The main vamps are ancient and from Europe–why don’t they live in New York or somewhere they won’t stick out? Like, you know, Europe?