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Raymond (Matthew Gray Gubler) has intelligence and fashion sense and an expensive degree from business school.
What Raymond does not have is a job. Therefore, he has to move back to the small town from which he hauled ass directly after high school. And back into his childhood home. Oh, joy.
His mother still loves him, her little boy, and his father, Donald, (Ray Wise, ever hilarious and awful) is the same racist homophobe he ever was.
Dear old dad is having work done in the yard and the people doing the work just happen to unearth an old coffin, which they open, as you do.
Then things go badwrong.
Raymond has always had a bit of a seeing-spirits-problem, which went away when he moved away. But now that he’s back, the spirits are a-plaguing him again. (He doesn’t know about the coffin at first.)
Unearthed spirits aren’t his only issue, though. The living are giving him difficulty, as well. They were the reason he got the hell out of there in the first place. Luckily, just before his old tormentors from high school can pick up where they left off, he befriends a fellow former fat kid, Becca (Kat Dennings) and they become buddies.
And that’s just as well, because he’s going to need all the help he can get when it comes time to fight the malevolent entity rearing it’s disembodied head.
I watched this film because I wanted to see Dr Spencer Reid swear–I’d seen a gifset on Tumblr of him calling someone an asshole and just had to see it in context. It was worth it. He drops the ‘f’ bomb a lot, too.
‘Quirky’ is the first word that comes to mind. It’s the next three words, as well. Suburban Gothic was released in 2015 but the special effects were…special. So I’m thinking they were an intentional homage to 60s horror flicks.
The script had some genuinely laugh out loud funny lines. Ray Wise was hysterical as the All American bigot. He nailed it. I have the feeling some of his lines came from things someone’s (Richard Bates Jr or Mark Bruner’s) actual father said and they were so over-the-top they just had to put them in.
I don’t know from fixing a curse, but the filmmakers really captured the special hell that is returning to your tiny, small-minded hometown. Except when I go back to mine I don’t pair up with a fellow outcast and have wacky adventures. I just deal with whatever unholy purpose has drawn me there and get the hell back to civilisation as quickly as possible.
As a comedy it succeeds. As horror, it’s not scary in the least, but most 60s horror films aren’t all that frightening today, either. YMMV, but I’d give this one a 4/5.
If you’re not interested in either of the leads you’ll probably think I’ve overrated it by a star.