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Castles and howling wind (or is it wolves), lightning and thunder and perpetual murk. Capes and lace and bodices and everyone’s overwrought about everything all the time. There’s a candelabra on every other horizontal surface. You know the drill. It’s Gothic. And, if you’ve watched a certain type of film you’re probably picturing Hammer horror films.
British Gothic Cinema by Barry Forshaw is about the influence of British filmmakers on horror cinema from the very beginning of film. Hammer gets a (deservedly) large portion of the book, but other companies like Amicus get their time, as well. Forshaw clearly knows his material and history–explaining how the censorship codes (blood on cleavage used to give people the vapours)–were slowly chipped away.
There are interviews with the some of the key players of the time, and honest reviews of performances by the staple players like Peter Cushing, Vincent Price (shipped in from the States to bring in the crowds) and Christopher Lee. No stone is left unturned–it’s an exhaustive work. Forshaw’s love for the subject shows.
This is an excellent companion to the BBC4 documentary A History of Horror with Mark Gatiss . Indeed, Gatiss is mentioned a few times in the end of the book, as are Simon Pegg and Nick Frost. British Gothic Cinema, on the whole, is about horror cinema, and the British influence on it, though the earliest contributions were period Gothic pieces.
Very academic, I would recommend it only for people already interested in Gothic cinema or fans of film history, but for them it’s a must-read. There are some film spoilers for very well-known films, but if you’re a fan of the genre you’ve probably already seen them. (I didn’t find this to be a problem.) The biggest quibble I had were the typos, of which there were more than a few.
Overall, I did enjoy it, am glad I read it and wound up with a long list of films to watch.
[I was given a free copy of this to review, but was under no obligation to give a positive review.]